I’m taking my sabbatical as Scientist-in-Residence at the Peabody Essex Museum (http://www.pem.org). You may ask, what could a scientist possibly have to do in a museum of art and culture? Quite a lot, it turns out. In fact, I could be kept busy for decades with the projects I’ve envisioned. More on that later.
Today I’d like to discuss the following question, one that has come up in my discussions with the education folks at the museum: Where exactly lies the intersection of art and the natural sciences?
I would argue that the crux may be found in observation. Read this quote by Lane Cooper, highly-regarded English educator from his book Louis Agassiz: Illustrative Extracts on his Method of Instruction (1917):
The Agassiz statue, Stanford University, California toppled by San Francisco earthquake, April 1906
“It is simply the fact that, reduced to the simplest terms, there is but a single method of investigating the objects of natural science and the productions of human genius. We study a poem, the work of man’s art, in the same way that Agassiz made Shaler study a fish, the work of God’s art; the object in either case is to discover the relation between form or structure and function or essential effect. It was no chance utterance of Agassiz when he said that a year or two of natural history, studied as he understood it, would give the best kind of training for any other sort of mental work.”
While Cooper compared the study of literature to the study of natural history, the same comparison holds for the visual arts and any natural science. Seeing requires time and focus. The more we look the more we see, the more we find the extraordinary in the ordinary, and the more clearly we can identify the relationship between form and function. We must always give our students ample time to observe and then ask, What Do You See?
Once a year or so, I have a biology student who’s a great photographer or illustrator. We talk about scientific photography or scientific illustration as a career path, but I haven’t been able to offer much beyond that. Well, now I can. A colleague just turned me on to this organization, the BioCommunications Association (http://www.bca.org/about/about.html).
From their website:
A typical BCA member is a dedicated, passionate, creative and technical biological/medical photographer, graphic designer, illustrator or videographer employed by hospitals, medical facilities, colleges, universities and research institutions in the life sciences and health care industry.
They offer an education grant: The fund has awarded grants to applicants from several countries for a wide variety of projects such as preparation for certification, attendance at workshops, photographic exhibit support, and the development of new imaging techniques for the microscope. Awards are limited to no more than 33% of available funds for the year and are typically $500 or less. and Any student, trainee, biocommunicator, or institutional program that can demonstrate a need for project funding may apply. So, it’s only $500, but its something.
They also offer a scholarship to support educational opportunities for full-time undergraduate or graduate student pursuing a career in scientific/biomedical visual communications, at an accredited school.
Additionally, they run an annual BioImages competition. Check out their amazing winners gallery here: http://www.bca.org/gallery/bioimages2014salon.html. Be sure to scroll down for the videos!
Last but not least, check out their nicely curated list of links. They include links to academic programs, inspirations and stock images. Maybe I’ll be inspired to branch out from WikiMedia Images.
Methicillin-resistant Staphylococcus aureus. A bacteria that causes infections and is one that is resistant to many antibiotics.